Face of the Island: Curator Dr. Philipp Aumann

Magazine
Philipp Aumann
06.12.2023, Usedom Tourismus GmbH

The Peenemünde Historical and Technical Museum provides information on the history of the former Peenemünde test sites. Curator and Scientific Director Dr. Philipp Aumann knows how perceptions of this ambivalent topic have changed.

A new Concept Puts Peenemünde in the Spotlight

-

You are currently developing the concept for the new permanent exhibition. How has the perception of Peenemünde changed over the past 20 years?

We want to retell the story. The previous exhibition focused on the highs and lows of the rocket. On the one hand, the V-2 rocket was a groundbreaking innovation; on the other hand, it brought death and forced labor during World War II. With the new concept, we view the rocket solely as a product of Peenemünde. We are focusing on the place where this and other products were created. After all, the location is what sets us apart. And we want to open up a discussion about the different perspectives on the subject. We are convinced that it is no longer possible to understand Peenemünde without also understanding the 80 years of reflection on Peenemünde.

Two people in front of the Peenemünde Historical and Technical Museum
©

How will the upcoming exhibition approach this topic?

We want to trace the journey from the initial idea of winning a war through superior technology to the realization and deployment of the rocket, and ask: What is this place, who worked here, and what were the motives and expectations surrounding this new technology? Here on site, we can showcase the infrastructure of that time and bring to life the immense effort and the work of thousands of people. The new exhibition will also address the question of “why”: What did the Wehrmacht leadership hope to achieve with it at the time? How, did they think, could they win the war? The exhibition will present the weaponry center between 1936 and 1945 and showcase the strategies of high-tech warfare. Alongside this, we’ll explore the town of Peenemünde from various perspectives through smaller exhibitions. Why were the engineers able to continue working seamlessly after the war ended? Was Wernher von Braun a genius or a criminal—or both? What role does Peenemünde play in the history of spaceflight? How did the Peenemünde test sites shape the landscape of the island’s northern tip—and vice versa?

On the vacation islands of Rügen and Usedom, traces of the Nazi era are still visible. How do Prora and Peenemünde coexist with tourism?

Prora and Peenemünde are uncomfortable tourist destinations. They’re not pretty or fun, but they’re certainly very interesting. We’ve found that vacationers are quite willing to engage with this serious topic. That’s sightseeing, as well. In terms of tourism, it works just like the seaside villas – only with more challenging content. The monumental is, quite literally, striking and impressive. Our job is to ensure that it doesn’t stop at the “wow” factor, but that the museum also inspires reflection.

Who are the museum’s typical visitors? Who does the exhibition appeal to?

Eighty percent of our visitors are tourists, but the museum also caters to locals. The proportion of international visitors is relatively high—about 15 percent—including many day-trippers from Poland. That’s significantly more than on the island or in Mecklenburg-Western Pomerania, where foreign tourists make up just three percent of the total. Peenemünde plays a major role in the state’s image; it’s a landmark, so to speak. Quite a few people come here specifically to visit Peenemünde. I once had a visitor from the U.S. who, while on a trip through Europe, made a quick detour to Peenemünde from London. Just because he happened to be in the area (laughs). Or cruise ship passengers who skip the itinerary in Rostock and take a taxi to Peenemünde. For these people, it’s about seeing Peenemünde at least once in their lives.

 

A man is looking at an information screen at the Peenemünde Historical and Technical Museum.
©

Peenemünde is a place dedicated to sharing knowledge.

Working with schools is very important to us. We are accredited as an extracurricular learning site. School classes from the region regularly visit us to learn on-site. When young people see the traces of the destructive dictatorship, they understand how it relates to us. We actively involve them through workshops. For example, we are currently expanding the memorial site for the concentration camps' outlying camp. To help with this, three school classes handwrote the names of the prisoners on the plaques. Every year, young people from all over the world gather in Peenemünde for international summer camps. They help us uncover the ruins of the memorial landscape. The most important educational value, of course, is that the young people get to know one another and form friendships.

Peenemünde has also become a hub for culture. How important are art and concerts to the town?

Art brings a whole new dimension to the table. Artists see the world through different eyes, they’re associative, emotional, personal, and sometimes even provocative. Painters, filmmakers, and musicians can wonderfully complement our scientific approach and inspire viewers to reflect. Last but not least, these cultural offerings also appeal to a different audience. At the Peenemünde concerts, the young international musicians of the Baltic Sea Philharmonic perform together at the very site where destructive national chauvinism once reigned in its most extreme form.

Orchestra on a stage at the Peenemünde Power Plant
©

It’s not an easy subject to deal with on a daily basis. How do you find a balance for yourself?

Of course, I maintain a professional distance from the subject. But that shouldn’t become routine. We must always remind ourselves that we’re telling an extraordinary story here. This is very important, because otherwise we'll offend our visitors. I find that balance through cultural experiences. We’re lucky to live in a tourist region where there’s a small theater, a nice movie theater, and the Till Richter Museum of contemporary art.

Did you deal with similar topics during your studies or in previous jobs?

The interplay between science, technology, and society has always fascinated me. For me, it’s not so much about understanding technology down to the last screw. I’m interested in the hopes placed in technological innovations and the consequences for people and the environment.

You’re from southern Germany and studied in Munich and Vienna. Could you have imagined back then that you’d end up making the island of Usedom your home?

The island of Usedom was definitely not on my bucket list. I was born in the Allgäu and grew up in Augsburg. There, for many people, Frankfurt is already considered part of northern Germany, and Usedom is almost like the Baltics. But life here is very good. As a Swabian, I’d say: “It’s okay.” That’s actually high praise. This Swabian pragmatism goes hand in hand with the islanders’ mentality.

Do you have a favorite spot on the island?

In the summer, I like to meet up with my family after work at the beach in Peenemünde or Zinnowitz. When the vacationers head home in the afternoon, I really enjoy being at the beach. The southern tip of Gnitz is also a beautiful place for hiking.

 

Thank you very much for the interview!

The interview was conducted by Karina Schulz for usedom.de on November 24, 2023.

Share this discovery

By clicking the icons, you leave this website.

Book Your Vacation Now